Latest Hollywood and bollywood movies

Friday, April 25, 2025

Animated Stories

Story Title: The Lazy Princess Sara of Greenland Once upon a time, in the frosty kingdom of Greenland, there lived a princess named Sara. Unlike most princesses who were renowned for their grace, intelligence, and unwavering commitment to their duties, Princess Sara was known for her unparalleled laziness. She preferred the warmth of her plush, fur-lined bed to the icy winds outside her castle walls, and her days were spent in a perpetual state of leisure, lounging on soft pillows and sipping hot cocoa. The kingdom of Greenland was a place of beauty, adorned with glistening snow-capped mountains, lush green valleys, and vibrant auroras that danced across the night sky. The people were hard-working and industrious, toiling in the frigid temperatures to maintain their homes and provide for their families. Yet, despite the bustling life outside, Princess Sara found more joy in napping than in attending royal obligations or engaging with her subjects. Her father, King Magnus, was a kind-hearted ruler who adored his daughter. However, he worried about her future. “A princess must not only be beautiful but also wise and benevolent,” he often lamented to his advisors. “If she continues to sleep through her responsibilities, how will she ever lead our people?” One day, the king decided that enough was enough. He summoned his court and devised a plan to encourage Princess Sara to become more engaged with her responsibilities. They decided to host a grand festival to celebrate the coming of spring, a time of renewal and joy. The festival would showcase the talents of the kingdom’s artisans, musicians, and performers. It was an event that demanded the princess’s involvement, and the king hoped it would ignite a spark of enthusiasm in her. As news of the festival spread throughout the kingdom, the villagers began their preparations. They crafted colorful decorations, baked delicious treats, and practiced their performances. Yet, Princess Sara remained blissfully unaware, nestled in her bed, dreaming of fluffy clouds and endless fields of flowers. On the eve of the festival, King Magnus approached his daughter’s chambers. He gently knocked on the door, and when there was no response, he opened it to find Sara sprawled out on her bed, a half-eaten chocolate croissant resting on her chest. “Sara, my dear,” he said with a warm smile, “tomorrow is the festival! You must rise and partake in the festivities. It will be a wonderful opportunity for you to connect with the people of our kingdom.” Sara cracked one eye open and groaned. “But, Father, why must I leave the comfort of my bed? The festival sounds exhausting. Can’t we simply celebrate in here?” King Magnus chuckled softly, “You will miss out on the joy our people bring. They have worked hard to prepare for this day. You, as their princess, must lead by example.” With a reluctant sigh, Sara rolled out of bed, her limbs heavy and her heart even heavier. “Fine, but only if I can wear my warmest slippers,” she mumbled, retreating to her wardrobe. The following day, the sun rose over the kingdom, casting a golden hue on the snow. Princess Sara, clad in a beautiful gown paired with fluffy slippers, stepped out into the bustling courtyard. To her surprise, the air buzzed with excitement. Children laughed and played, artisans showcased their crafts, and musicians filled the air with enchanting melodies. As she wandered through the festival, Sara found herself captivated by the vibrant colors and joyous spirit surrounding her. She admired the intricate tapestries woven by the villagers, tasted the freshly baked pastries that seemed to melt in her mouth, and listened to the captivating stories shared by the elders. Slowly but surely, a flicker of curiosity ignited within her. She approached a group of children gathered around a storyteller, his voice weaving tales of bravery and adventure. As she listened, she felt a warmth spreading through her heart, an unfamiliar sensation that began to replace her usual apathy. “Princess Sara!” one of the children exclaimed, noticing her presence. “Will you tell us a story too?” Sara hesitated, her mind racing. “But I’ve never told a story before,” she replied, feeling a tinge of uncertainty. “Please!” the children chimed in unison, their eyes wide with anticipation. Taking a deep breath, Sara felt an unexpected surge of confidence. “Alright, gather ‘round!” she declared, her voice growing stronger. She began to weave a tale of a brave knight and a fierce dragon, drawing inspiration from the stories she had heard earlier. As she spoke, her imagination blossomed, and the children listened intently, captivated by her words. The more she spoke, the more Sara realized she enjoyed sharing her creativity with others. The festival, which she had initially dreaded, transformed into a platform for her to connect with her people. Laughter filled the air, and for the first time, she felt a sense of purpose. As the sun dipped below the horizon, casting a warm glow over the festival, Princess Sara looked around at the smiling faces of her subjects. King Magnus watched from a distance, his heart swelling with pride. His daughter had discovered a joy she never knew existed—a joy found in the company of others. From that day forward, Princess Sara transformed from the lazy princess into an active member of her kingdom. She embraced her role with vigor, participating in the affairs of the state and attending to the needs of her people. Each day became a new adventure, and her once-sedate life was filled with laughter, creativity, and purpose. And so, in the kingdom of Greenland, Princess Sara became a beloved figure known not only for her beauty but also for her kindness and dedication to her people. The lazy princess had awakened, and a new era of joy and unity blossomed in the kingdom, proving that sometimes, all it takes is a little nudge to awaken the spirit within. Watch Video on Youtube. Please like and subscribe. Thank you. ================================ Hey Chatgpt, I want to create a 3D animated kids Horror story. Can you give me some title ideas? I 've chose the title "Whispers from the Dollhouse". Can you help me write an original and engaging script for the story? I plan to create a YouTube video based on this story, so please divide it into scenes. Also provide an image prompt, for each Scene. To ensure consistency in the character's profile throughout the story, please use the follow structure: "character name, age, gender, hairstyle, face description, outfit (top, bottom, footwear), background description and action. Give character a name and add each character's profile details. ======================== 🎬 [Video Title: “How to Make Kids Animated Movies with AI | ChatGPT, Leonardo AI, Kling, Premiere Pro”] 🎙️ [INTRO - Bright & Fun Background Music + Animated Logo] Narrator (Voiceover): Hey storytellers! ✨ Ever dreamed of making your own kids animated movie — filled with adorable characters, fun adventures, and a heartwarming message? You don’t need a big team or fancy studio… Just ChatGPT, Leonardo AI, Kling AI, and Premiere Pro. In this tutorial, I’ll guide you through the entire process — step by step — using free and powerful AI tools. Let’s go from idea to animation — together! 🎬🌈 📖 [Step 1: Write Your Kids Story with ChatGPT] Screen Recording: ChatGPT Interface open Narrator: Every great movie starts with a great story. And that’s where ChatGPT comes in. Here’s a sample prompt to get you started: 📝 Prompt Example: "Write a short 10-scene story for 4–7-year-old kids about a brave squirrel named Nibbles who teams up with a shy turtle to save their magical forest from a sudden drought. Make it adventurous, funny, and include a moral lesson." 💬 ChatGPT will give you: A full storyline Dialogue between characters A scene-by-scene breakdown 🧠 Narrator Tip: Ask ChatGPT to break down each scene like this: "Give me scene 1: location, characters, dialogue, and actions." This helps with visual planning later. 🦸‍♂️ [Step 2: Build Your Main Character in Leonardo AI] Screen Recording: Leonardo.Ai UI — Text-to-Image Feature Narrator: Let’s meet your star: Nibbles the squirrel. From the story we just made, ChatGPT describes Nibbles like this: 📝 Character Profile: Name: Nibbles Species: Squirrel Traits: Brave, curious, energetic Appearance: Fluffy red tail, big eyes, wears a tiny green cape Personality: Always ready to help, loves acorns and adventure! Now in Leonardo AI, we’re going to generate this character using a clear prompt. 🧠 Narrator Tip: Use style keywords that match a child-friendly aesthetic like: "Cartoon, colorful, Pixar-style, 2D animation, cute, friendly." 🎨 Prompt Example for Leonardo: "A cartoon-style brave red squirrel with a fluffy tail, big eyes, wearing a small green cape, standing in a magical forest. Pixar-style, kid-friendly, full body, bright colors." ✨ Once you generate a few good versions, choose the best one and save it — we’ll use this image to maintain consistency later. 🔁 [Maintaining Character Consistency in Leonardo AI] Narrator: Want your character to look the same across all scenes? Use Leonardo’s image-to-image feature or fine-tuning. 🧠 Narrator Tip: Upload your chosen image of Nibbles as a reference, and give prompts like: "Same red squirrel in green cape, now running with a turtle in a desert scene, cartoon style." This way, Nibbles looks consistent across every frame of your movie. 🎞️ [Step 3: Animate Your Scenes with Kling AI] Screen Recording: Kling AI workspace showing animation generation Narrator: Now that you have your characters and backgrounds — let’s animate! Upload your AI-generated scenes into Kling AI. You can animate your still images by describing the action. 🎬 Prompt Example: "Make the squirrel run happily across the forest, waving at a turtle." Kling AI will apply motion to your scene, making it look like a real animation. 🧠 Narrator Tip: Keep actions simple and clean for younger audiences. One scene = one clear motion. Export your animated scenes in HD and save them in order. 🎤 [Step 4: Edit, Add Voice, and Music in Premiere Pro] Screen Recording: Adobe Premiere Pro Timeline with clips Narrator: It’s showtime! Open Premiere Pro and import your animated clips. Arrange scenes, add transitions, and line up your audio. For voiceovers: You can record your own Or use AI voices (like ElevenLabs, TTSMaker, or Narakeet) 🎶 Add free kids’ music and sound effects from the YouTube Audio Library or Pixabay Sounds. 🧠 Narrator Tip: Add subtle sound effects like birds, rustling leaves, and character giggles to bring life to the story. ===================== Title: Ali Baba and forty Thieves. Title: Ali Baba and forty Thieves.

Sunday, April 13, 2025

Hulu Movies.. Archieve

Deep in a snow-covered forest in Japan, George (Theo James) is on a lonely mission to restart a decommissioned base. It is an unwelcoming concrete palace, as cold on the inside as the weather outside—like a spaceship plopped on another planet. As George returns from a brisk run, he greets the two robots he built for company and checks in with his curt boss, Simone (Rhona Mitra). He finds some comfort away from work talking to his dead wife, Julie (Stacy Martin), through the Archive, a “2001: A Space Odyssey”-looking monolith turned casket that allows the living to talk to the dead for a few more hours. Time is running out before she will go silent forever, and in his spare time, George works on his third prototype to house her personality for a chance at resurrection. Unfortunately, that brings out the jealousy in one of the other robots and the suspicions of the company behind Archive who don’t seem thrilled about George’s data breach to create his version of Frankenstein’s monster. Gavin Rothery’s “Archive” is a somewhat unwieldy sci-fi thriller to get into. The plot twists are many, and so are the cliches. In its attempt to create conflict, it dips into sexist tropes that diminish the story. Then, it unravels them with the last few minutes, and it’s those last few minutes that changed my perception. The question each viewer will have to answer for themselves is if can they get past the movie’s male fantasy aspect for that final reveal. Debut writer/director Rothery, who comes from the art department world, draws from various sci-fi movies to create the forlorn look of “Archive.” Its influences can be traced back to movies like “2001: A Space Odyssey,” or “Blade Runner” in the way it blends American characters against the backdrop of a Japanese restaurant and big light-up ads. Plus, some robot designs from “Star Wars” and “Metropolis” are thrown into a narrative mix of “Ex Machina” meets “Solaris.” The themes of those latter two movies are certainly prevalent. In a sense, George is a mad scientist trying to resurrect the dead through science and technology, going through several prototypes in the process for his perfect companion like in “Ex Machina.” The unforgettable wave of grief, ghost visitations from his wife and the movie’s inescapable sense of loneliness owes much to the Russian classic, “Solaris.” Here is where things get a little uncomfortable. George is mostly alone except for the three robotic prototypes he created to save his wife’s essence. The first attempt left him with a lumbering gentle giant much like a toddler who can’t speak. The second looks something like the ASIMO robot, and acts like a petulant child when his attentions move on to creating a more humanoid version, which of course, is smaller, skinnier, and more conventionally attractive. Sure, there’s a moment when George explains that it’s the third prototype’s brain power that convinced him she’s the one to carry his wife’s being. But it seems like a weird design flaw in the story not to create models like the one you’re looking for in the first place. There are other befuddling gaps in the script, including when an actor has to say this gem in a very serious manner: “I’m a risk assessor. I assess risks.” There’s also the issue that George christens them all sisters and tries to get them to unite for the purpose of bringing Jules back. They each have varying degrees of his wife in them somehow, so I guess that makes them sister wives. Definitely odd. And when the second prototype goes HAL 9000-levels of jealousy and tries to sabotage the whole experiment? It’s predictable and tired. It has nothing to do with how apparently this Archive process was done against her consent or what it might mean to override a sentient feeling robot with dreams of its own (hello, “Blade Runner”!) with another entity. It’s more because she’s jealous and insecure, ready to destroy her competition even if the competition is related to her in some strange way. It’s also because some women have to tear each other down or lose themselves to prove their love, right to the point of self-destruction. Yet somehow, Rothery turns this all around in the last few minutes into something that left me genuinely stunned. With the help of cinematographer Laurie Rose, Rothery achieves an isolated and gloomy look without draining the color out of the screen. Instead, the red, yellow, and white lights of the facility, and the extensive art and production designs sell this ambitious film’s illusions. There’s even a cool, if slightly creepy, montage of George bringing the robot to life that’s quite impressive. As the movie’s central character, James plays George with the utmost stoicism in the present day, making the flashback memories to happier times with his character’s wife a necessary addition. It gives him the emotional backstory his tightlipped character won’t speak of, and shows us just how much he’s lost and how he’ll stop at nothing to bring her back—even if it means creating Frankenstein’s jealous monster.